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This publication will be a valuable resource for art historians as well as the general public, with little scholarship previously published in English about Zorn. The catalogue features fifty of Zorn's works, such as Omnibus I, for which Zorn won a prize at the 1892 Salon in Paris, and Ice Skater (...)

This monograph, published to coincide with the exhibition Ivan Lendl: Alfons Mucha in Prague, comprises newly- produced high-quality colour prints of all the exhibits in the Lendl collection, as well as more than 100 preliminary drawings, sketches and prints which allow the reader to take a peek (...)

Cai Guo-Qiang (Quanzhou, provincia de Fujian, China, 1957) es uno de los artistas de mayor renombre internacional, un atrevido creador de novedosas formas artísticas (pintura con pólvora, pirotecnia e instalaciones) que siguen ampliando el concepto de experiencia cultural. Cai Guo-Qiang ha (...)

With a background in painting billboards, James Rosenquist had a unique perspective on the dual effects of imagery and scale on the viewing experience. His colossal pieces are immersive- they surround the viewer and dominate most gallery spaces. In this volume readers can examine his process of (...)

Pieter Bruegel the Elder is considered the greatest Dutch draughtsman of the sixteenth century. Even during his lifetime his drawings were highly valued and many ended up being widely disseminated in the for m of copperplate prints. Drawing on the pictorial tradition of previous artist generations, (...)

The Xiu Hai Lou Collection is one of the most extensive private collections of ink art in Singapore. This catalogue is published in conjunction with the exhibition 'Rediscovering Treasures: Ink Art from the Xiu Hai Lou Collection', and captures the stunning breadth of the Collection.Full-colour (...)

Accompanying an exhibition of spectacular drawings by great giants of Flemish Baroque art from the superlative collection of the Morgan Library & Museum in New York, Power and Grace demonstrates the crucial but very different roles played by drawings in oeuvres of Rubens, Van Dyck, and Jordaens, (...)

La desaparición de la civilización megalítica se generalizó por toda Europa, lo que corrobora que debió existir un foco director, una metrópolis, o cualquier otra forma de control, que al faltar su impulso sumió al resto del territorio en una crisis absoluta. De haberse tratado de unidades (...)

La peinture au XIXe siècle, en France, était faite entièrement par les Français. A l'étranger, la peinture n'existait pas. Au XXe siècle la peinture est faite en France, mais par les Espagnols. Elle est faite par Picasso.

Sólo por una rara combinación de técnica, hondura de sentimiento y feliz azar puede el artista lograr esa belleza que en sus efectos es afín al éxtasis que los santos ganan con la oración.?