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The Ashmolean Museum and the Albertina are collaborating on a two-part exhibition project that will examine anew the role and the significance of drawing in Raphael's career. The Ashmolean holds the greatest collection of Raphael drawings in the world, and the Albertina is the custodian of a major (...)

Few artists come close to the renown of Raphael perhaps only his High Renaissance contemporaries Leonardo and Michelangelo and the range of his artistic achievement, from painting to architecture, is staggering. This book focuses on his drawings and paintings, bringing together more than one (...)

Among the great figures of the Italian Renaissance, Raphael (1483 1520) is unarguably the artist who has been most widely and consistently admired across the centuries. He had an extraordinary and perhaps unrivaled capacity for self-reinvention as he progressed from Umbria to Florence and Rome and (...)

A través de una selección del artista, la obra se despliega en su contexto expositivo, generando un diálogos entre las propias pinturas y con el lector/espectador.Su antitipografía, las palmeras, los paisajes monocromáticos o las figuras desenfocadas son algunos de los elementos constitutivos del (...)