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Eloge du sentiment et de la sensibilité

Catalogue des expositions Eloge du sentiment et de la sensibilité, présentées au Musée d'art de Nantes et au Musée des Beaux-Arts de Rennes (16 février - 13 mai 2019).Au siècle des Lumières, la littérature et la peinture reflètent une nouvelle vision de l'homme et de son environnement. Les (...)
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George IV : Art and Spectacle

George IV was arguably the most magnificent of British monarchs. By the time George ascended to the throne in 1820 after nine years as Prince Regent, he was already well-known for his extravagant lifestyle. Visual display played an important role in his public image, an image that he worked hard to (...)
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Rendez-vous with Art

This book is about how we experience art, how we look at it, how we think about it. It is structured in the form of a series of conversations in some of the best-known museums in the world, but also outside the museums, where we often look upon art in a completely different way. The two (...)
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Ruins

The "ruins" of the modern era are the landmarks of recent art's turn toward site and situation, history and memory. The abiding interest of artists in ruination and decay has led in particular to the concept of the modern ruin - an ambiguous site of artistic and architectural modernism, personal (...)
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Rembrandt y el retrato en Ámsterdam, 1590-1670 "Exposición Museo Thyssen Febrero-Mayo 2020"

En esta publicación nos centramos en la faceta de Rembrandt como retratista, un género en el que el pintor más importante del siglo XVII holandés alcanzó el máximo nivel. Junto a una veintena de sus retratos, se presentan destacados ejemplos de otros artistas activos como él en Ámsterdam durante el (...)
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The Sea Painter's World. The new Marine art or Geoff Hunt

This timely follow-up to Conway's highly successful Marine Art of Geoff Hunt (2004) presents the considerable artistic output of Britain's leading marine painter since 2003. This new volume is heavily illustrated with images ranging from large paintings to sketchbook drawings with text written by (...)
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