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This publication will be a valuable resource for art historians as well as the general public, with little scholarship previously published in English about Zorn. The catalogue features fifty of Zorn's works, such as Omnibus I, for which Zorn won a prize at the 1892 Salon in Paris, and Ice Skater (...)

During the Renaissance, Italian painters would traditionally depict the wives of their patrons as Madonnas. The artists would often overstate the beauty of their models, rendering them more beautiful than they actually were.The contemporary representation of the Mother of Christ, however, tended to (...)